I have been listening to a lot of Supertramp lately, one of the best band ever IMHO.
I fell on the writing credits of the band and I thought it was amusing.
For one thing many bands seem to be a 2 males leading out of 4 or 5.
Some seem to have a bad cop / good cop mix to them.
Beatles
Good cop: McCartney
Bad cop: Lennon ... father issues mother issues
Pink Floyd
Good cop: Gilmour
Bad cop: Waters same again father and mother issues
Supertramp
Good cop: Hodgson
Bad cop: Davies?
Well I could be wrong but it seems to me that he married a control freak and Hodgson might have had issues about that or he simply needed to leave the fast life as he said
While I am on the Supertramp subject the writing credits are somewhat ANAL for lack of an another word, almost tense.
Most albums have an EXACT division of writing taking turns
here is an example
No. Title Lead vocals Length
1. "School" Hodgson 5:35
2. "Bloody Well Right" Davies 4:32
3. "Hide in Your Shell" Hodgson 6:49
4. "Asylum" Davies 6:45
Side two
No. Title Lead vocals Length
5. "Dreamer" Hodgson 3:31
6. "Rudy" Davies 7:17
7. "If Everyone Was Listening" Hodgson 4:04
8. "Crime of the Century" Davies 5:36
Anymore anal than that and they would have divided the time straight in two to a second close
Same thing with Breakfast in America: 10 songs - 5 songs each
Even in the Quietest Moment has a little edge for Hodgson leading the score 4 to 3 but still presented alternately.
There you go Rolling Stones magazine can sign me in now as a rock critique on their writing staff
Personally I am a Mc Cartney / Gilmour / Hodgson fan for some odd reason???
Not a fan of bad cops I s'pose.
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